For the mere price of one dollar, how could anyone pass up a used book with such an enticing title? For a money-challenged graduate student, How to Make Wine was a roadmap to a continuous flow of low-cost nectar of the gods.
How hard could it be? After all, Neolithic man made wine, without the aid of a recipe from a second-hand book. With a little study and preparation, I might be able to produce the same results as illiterate, ancient cave-dwellers.
I read the book twice. A āCā in high school chemistry reinforced the need for a careful understanding of the process. By the end of the second reading, I had convinced myself that this wine-making stuff paled in comparison to understanding Avogadroās number, a method for measuring the number of molecules in gases. Why would this Avogadro guy care about knowing that anyway? He lived in Turin, Italy, one of the great wine-making regions of the world. His time wouldāve been better spent drinking a Barolo or an Asti instead of messing with the heads of high school chemistry students. As they say, thereās no accounting for taste.
The first part of my plan focused on assessing the cost of the project. Although suffering from eternal optimism, I wasnāt naĆÆve. The book listed a variety of fruits and vegetables from which one could make wine. Grapes were one of many choices. That was a red flag. Better check the price of grapes.
A trip to the Grand Central Market in downtown Los Angeles proved a sobering experience. With book in hand, I reviewed the recipe for grape wine and checked the price of grapes. The quantity I needed raised the cost above what my meager budget could spare.
I made my way through the market, flipping through the recipes and making notes on the cost of a variety of fruit. The lowly lemon, a final choice far removed from my hopeful expectations, had one overriding, winning quality ā a nickel a pound price tag.
Water, sugar, and yeast came from my kitchen cupboard. I invested in a new plastic bucket and a piece of cheesecloth. I was ready to launch.
The initial stage required squeezing the lemons, combining the juice with water and sugar and simmering on the range top. When the liquid reached the optimum temperature for yeast to grow, I added the granules, stirred, and poured the mixture into the plastic bucket, covering it with the cheesecloth.
The bubbling, frothy brew required several weeks to calm down. The smell of yeast and alcohol permeated the apartment.
The next step, secondary fermentation, called for a one-gallon glass container with a narrow neck, like an empty water jug. No problem. I had one.
A picture in the book showed a device called a fermentation lock. It looked like it could have been plucked from Dr. Frankensteinās laboratory. An accompanying explanation described how the convoluted plastic tube allowed carbon dioxide to escape from the container while blocking entry to unwanted microbes that would ruin the wine. One end of the tube fit through a rubber stopper inserted in the jugās top. The other end had a small reservoir for water. Gas bubbles pushed their way through a water barrier on the way out, but microbes werenāt able to get in. Ingenious!
I poured the yellow liquid into the jug, leaving sediment behind, and then affixed the fermentation lock.
Now, the hardest part began-waiting six months. Although tempted to sample the wine before then, deferred gratification prevailed over impatience.
When the day for tasting came, I called my brother-in-law, Bob, who lived a few blocks away. A fun-loving guy who was up for almost anything, he happily volunteered to judge the product.
I set two shot-glasses on the living room coffee table. When he arrived, I removed the fermentation lock from the gallon jug. The strong odor of alcohol assaulted our noses. This wine could be high octane. Since the containerās size made it unwieldy, I poured a pint into a smaller bottle before filling the glasses.
āReady?ā
Bob already had his hand around the glass, lifting it to his lips. āWow! It tastes like lemon.ā
āDo you think itās too strong?ā
āIām not sure. Iāll take another taste.ā He finished off the glassful.
I drank half-a-glass. My body felt the immediate effect of the alcohol.
āI think we should stop, Bob. Iāll put the rest back in the jug and let it develop for another six months.ā
āIāll take another shot.ā
āThat may not be a good idea.ā
He held up the empty glass.
āOkay. Iām glad youāre walking home.ā
He finished his second round and left.
Fifteen minutes later, my sister called. āWhat did you do to my husband?ā
āHe only had two shot glasses of my new lemon wine.ā
The explanation failed to soothe her irritation.
I replaced the fermentation lock and let the brew sit for another six months. The wine mellowed and assumed the character of a cordial with a vibrant lemon flavor. At the end of one year, the spirits were fit for polite society.
The outcome of the great lemon wine experiment didnāt dampen my enthusiasm for home production. I found joy in using anything but grapes.
In my second effort, I used grapefruit which, when squeezed, produced an abundant amount of juice. However, I discovered that the unusual flavor wasnāt well-received when offered to guests. āYou have to develop a taste for it,ā I said. āIt appeals to the sophisticated palate.ā
For my third batch, I used carrots. You need to juice a lot of carrots to make a modest amount of wine. What intrigued me about the recipe was the addition of wheat midway through the fermentation. The grain fortified the wine, creating a marvelous beverage.
When I set the wine out for guests, I asked them to taste it and tell me what they thought it was. They said it was sherry, a very good sherry.
Gleefully, I said, āItās carrot!ā
āYouāre kidding,ā was the universal response.
āIām not. Itās carrot fortified with wheat.ā
Oh, what a feeling. I had produced a wine equal in flavor to a fine sherry coming from the fields of Jerez, Spain, wines having a three-thousand-year-old tradition. I was at the peak of my wine-making glory, fit to be mentioned in the same breath as Ernest and Julio Gallo.
The lesson was clear: even a graduate student who could only afford inexpensive produce, a plastic pail, and a water jug, someone who received a āCā in high school chemistry, can rise above his station to compare with the giants of the winemaking world. Hallelujah! Life can be so wonderful.
by Howard Feigenbaum